name	Taio Cruz
background	solo_singer
born	April 23, 1983)
birth name	Jacob Taio Cruz
birth place	London, England, UK
genre	Electropop, R&B, hip hop soul
occupation	Singer-songwriter, record producer, rapper, entrepreneur
years active	2002–present
label	Rokstarr Entertainment Division, Island, Republic, Mercury (US)
associated acts	Luciana Caporaso, Ludacris, David Guetta, Cheryl Cole, McFly
website	}}

Taio Cruz (born Jacob Taio Cruz on April 23, 1983) is a English singer-songwriter, record producer, occasional rapper, and entrepreneur. In 2008, he released his debut album ''Departure'', which Cruz wrote, arranged and produced himself. It achieved initial success in the UK and earned him a MOBO Award nomination. In June 2010, Cruz released his follow-up album ''Rokstarr'', which includes the number one singles "Break Your Heart" and "Dynamite". In November 2010, Cruz collaborated with Kylie Minogue and Travie McCoy on his single "Higher". Additionally, Cruz penned and recorded the song "Telling the World" as the lead single from the soundtrack to the 2011 animated film ''Rio''.

Early life

Cruz was born in London, to a Nigerian father and a Brazilian mother. He attended Christ's Hospital, a boarding school in West Sussex.

Music career

Career beginnings

Cruz began writing songs when he was 12. His songwriting career began at age 19 as part of Tricky Stewart's writing collective, RedZone Entertainment. Cruz achieved notability in 2005 when he was awarded a BRIT Award for co-writing Will Young's 2004 single, "Your Game".

Cruz is the founder and chief executive of Rokstarr Music London, which in 2006 released his debut single "I Just Wanna Know". The single attracted significant attention from radio, and also from music industry insiders, who were already well aware of the artist's potential; manager Jamie Binns, who began representing Cruz at this time, later told HitQuarters: "He was a guy that everyone had earmarked to do damage in the future." Although the single received a reasonable amount of radio airplay, it did not perform as well as expected in either territory. However, rather than lose faith in Cruz, the labels were eager to negotiate an album deal, as by this time they had listened to his other songs and were ever more convinced by his capability.

Cruz's admirers included Island Records's Darcus Beese and Universal Republic's Monte Lipman, whom, according to Binns: "Both believed 'I Just Wanna Know' fitted the format on both sides of the Atlantic." In 2006, Cruz signed a split single deal with Universal Music Group companies, Republic Records and the UK branch of Island Records.

''Departure'' (2006–2008)

Taio Cruz released his second single "Moving On" in September 2007 which made the top 30 in the UK. In March 2008 his next single, "Come On Girl," featuring Luciana, peaked at No. 5 on the UK charts. The related album ''Departure'' appeared on 17 March and peaked at No. 17. This was followed by the single "I Can Be," which reached No. 18 in May. On 18 August, "She's Like a Star" was released, which was a remix of the previous single and featured American rapper Busta Rhymes and girl-group Sugababes. The remix later appeared on the Sugababes studio album ''Catfights & Spotlights'', which peaked at No. 20. It was later revealed that Cruz narrowly missed out on the chance to record the song "Umbrella" which was eventually recorded by Rihanna and ended up topping charts around the world.

''Rokstarr'' and International breakthrough'' (2009)

Cruz was featured on Tinchy Stryder's breakout single "Take Me Back" which peaked at No. 3 in the UK Singles Chart. According to Cruz's official Myspace blog, as of 1 January 2009, Rokstarr Music London officially changed its name to Rokstarr Entertainment Division and abbreviated to R.E.D Inc.

During 2009, he worked on his follow-up album which was originally titled ''T.W.O. (This Way Out)'' but later changed to ''Rokstarr''. It was released on 12 October through R.E.D Inc/Island Records and is entirely written and produced by Cruz, with co-writes and co-productions predominantly with UK producer Fraser T Smith. The album's lead single "Break Your Heart" was released on 14 September and reached number one in the UK, where it stayed for three weeks. The success of the song attracted the attention of David Massey and Daniel Werner from Mercury/Island Def Jam who were excited and aggressive about releasing "Break Your Heart" in the US on their label. According to Cruz's manager Jamie Binns, the relationship with Monte Lipman at Universal Republic had "gone a bit quiet" by this point and as Taio wanted to be with the label that was most enthusiastic about his music, a move from Universal Republic to Mercury/Island Def Jam was engineered.

The single reached the top spot in the US for one week on the ''Billboard'' charts. In an interview for ''The Guardian'' it was stated that "Cruz was clever to have hooked up with a US rapper Ludacris on his breakthrough hit". In order to introduce Cruz into the US market, David Massey had suggested that the single feature an American rapper with chart credibility. The album spawned two other UK singles, "No Other One", and the top-ten hit "Dirty Picture" featuring American electropop singer Kesha. The album's fourth single (second in the US) titled "Dynamite" debuted at 26 and despite peaking at number two on the US Billboard Hot 100, "Dynamite" peaked at number 1 on US top 40 earning Cruz his second US number 1 record.

''The Rokstarr Collection''

''Rokstarr'' was followed by the compilation album ''The Rokstarr Collection'' which includes songs both from ''Departure'' and the international version of ''Rokstarr''. Cruz later released three versions of his single "Higher" - one featuring Kylie Minogue, one featuring Travie McCoy and with just himself.

Cruz has also been featured on the soundtrack of American reality TV series ''Jersey Shore''.

Cruz is the main featured artist on David Guetta's 2011 single 'Little Bad Girl' which also features US rapper Ludacris.

Troublemaker

On 13 January 2011, Cruz used social networking website Twitter to tells fans that his upcoming third album would be titled ''Troublemaker''. In June 2011, a music video for the title song was put into production, directed by Martin Weisz. It is expected to be unveiled in July 2011 as the lead single from the album. The album is due for release on October 17.

Other ventures

Writing and producing

Cruz has written songs on albums by Cheryl Cole, JLS, The Saturdays, The Wanted and David Guetta. Cruz wrote and featured on Tinchy Stryder's hit single "Take Me Back". Boyband McFly recorded "Shine a Light" which not only features, but was also was penned and produced by Cruz for their fifth studio album. 2011 will see him writing for Justin Bieber's next album. Jennifer Lopez's 2011 single "I'm Into You", featuring Lil Wayne, is also penned by Cruz. On 13 April 2011, Cruz confirmed that he had written and contributed vocals to a Guetta track called "Little Bad Girl" which is the second single from Guetta's fifth album, ''Nothing But the Beat''. Additionally, a track dubbed "Troublemaker (Believe In Me Now)" with Cruz's vocals and said to be produced by Swedish House Mafia was leaked in early May and is most probably featured on Cruz's coming album.

Rokstarr brand

On 1 September 2009, Cruz launched the brand Rokstarr; the fashion and accessories brand has a focus on sunglasses. Musicians such as Kanye West, Shontelle, Keri Hilson and Kelly Rowland have been seen wearing them. Speaking in October to R&B writer Pete Lewis, Cruz stated: "There's a load of US celebrities that are all rocking the sunglasses already – Kid Cudi, Justin Timberlake, Kanye West... Then in the UK we have The Saturdays, JLS, Daniel Merriweather – who've all been twittering and writing on their blogs how much they love them. So yeah, it's definitely my new album 'Rokstarr' and the fashion brand that are my two main focuses at the moment."

Meanwhile, speaking again to Lewis in April 2010, Cruz revealed: "We're currently looking to expand the brand and possibly go into things like watches. I've also got a new subsidiary of Rokstarr called 'Rok By Rokstarr'. And we've just started doing things like jeans and T-shirts, and stuff that more of the fans of Taio Cruz can buy. Because with Rokstarr in itself being so expensive, a lot of the kids out there who want to buy Rokstarr things can't. So we're bringing in stuff that's a little bit more High Street and more affordable."

Discography

''Departure'' (2008)

''Rokstarr'' (2009)

''Troublemaker'' (2011)

Awards and nominations

Best British Song MOBO AwardsAmerican Music Awards BRIT Awards iTunes Best Album & Song Ascap Vanguard Award BRIT Awards rowspan=3>Virgin Media Awards Best Collaboration rowspan=6>2011 Billboard Music Awards Top Hot 100 Song rowspan=1>2011 MuchMusic Video Awards

Year
2004	Brit Awards>BRIT Awards	|	Your Game
2008	|	Best UK Male
2010	|	Breakthrough Artist
2010	|	Best British Song	Break Your Heart
2010	|	Best Song	Dynamite (Taio Cruz song)>Dynamite
2010	|	Recognition of Album	Departure (Taio Cruz album)>Departure
2011	|	Best British Song	Dynamite
2011	|	Best Male		<
2011	|	Dirty Picture
2011	Best Video
2011	Billboard Awards ||	Top New Artist		<
2011	|	Dynamite
2011	Top Digital Song
2011	Top Radio Song
2011	Top Streaming Song
2011	Top Pop Song
2011	|	MuchMusic.com Most Watched Video	Dynamite

References

External links

Taio Cruz on justRHYMES.com

Taio Cruz 'Blues & Soul' interview by Pete Lewis February 2008

Taio Cruz at Billboard.com

Category:1983 births Category:Living people Category:Black British musicians Category:Christ's Hospital Old Blues Category:English rhythm and blues singers Category:English pop singers Category:English male singers Category:English people of Nigerian descent Category:British people of Brazilian descent Category:Musicians from London Category:Island Records artists

ar:تايو كروز ca:Taio Cruz cs:Taio Cruz da:Taio Cruz de:Taio Cruz es:Taio Cruz fa:تایو کروز fr:Taio Cruz ko:타이오 크루즈 id:Taio Cruz it:Taio Cruz he:טאיו קרוז lv:Taio Kruss nl:Taio Cruz ja:タイオ・クルーズ no:Taio Cruz pcd:Taio Cruz pl:Taio Cruz pt:Taio Cruz ru:Круз, Тайо simple:Taio Cruz fi:Taio Cruz sv:Taio Cruz th:ไทโอ ครูซ tr:Taio Cruz zh:泰欧·克鲁斯

name	Leona Lewis
background	solo_singer
birth name	Leona Louise Lewis
born	April 03, 1985Islington, London, England
genre	Pop, R&B
occupation	Singer
years active	2006–present
label	Syco, J
website	}}

Leona Louise Lewis (born 3 April 1985) is a British singer-songwriter. Lewis was a contestant in third series of the British television series ''The X Factor'', which she won. Lewis is a multi-platinum selling artist and three time Grammy Award nominee. Her most successful single, "Bleeding Love", reached number one in over thirty countries around the world. She was proclaimed 'Top New Artist' by ''Billboard'' magazine in 2008. Lewis has released two albums to date, ''Spirit'' and ''Echo'', in 2007 and 2009 respectively. ''Spirit'' became the fastest-selling debut album and the biggest seller of 2007 in both the United Kingdom and Ireland, and made Lewis the first British solo artist to top the Billboard 200 with a debut album. It has sold over 6.5 million copies worldwide. Lewis has currently sold over 9 million albums worldwide. Lewis's debut single "A Moment Like This" became the fastest selling UK single after being downloaded over 50,000 times within thirty minutes of its release. In November 2008 she set a record in the UK for the fastest selling download-only release with her cover version of the Snow Patrol song "Run" which sold 69,244 copies in two days. Lewis's debut tour, The Labyrinth, took place in 2010.

Early life

Lewis was born in the London Borough of Islington, to Aural Josiah "Joe" Lewis of Afro-Guyanese descent, and Maria Lewis of Welsh, Italian and Irish descent. Her parents enrolled her at the Sylvia Young Theatre School, and from there she attended the Italia Conti Academy and the BRIT School, where she learned to play instruments such as the guitar and piano, in the hope of becoming a singer-songwriter. Lewis wrote her first full-length song at the age of 12. She initially trained in opera, but went on to singing jazz and blues, eventually leading to popular music, citing Minnie Riperton, Eva Cassidy and Stevie Wonder as her main influences. After leaving the BRIT School at 17, she took a number of jobs to fund studio time, recording a demo album called ''Twilight''. The album, almost exclusively comprising her own compositions, was recorded under Spiral Music, a production company based in Fulham. "I tried to secure a record deal by doing things my own way. I worked very hard but I never managed to land a contract", said Lewis. Other demos were recorded under licence from UEG Entertainment, later included on an album called ''Best Kept Secret''. However, none of Lewis's demos were released and she considered taking a hiatus from her music career to attend university until her boyfriend persuaded her to enter ''The X Factor'' which subsequently severed her connections with UEG.

Music career

2006: ''The X Factor''

Lewis auditioned for the third series of ''The X Factor'' in 2006, singing "Over the Rainbow". She was mentored by Simon Cowell and was announced the winner on 16 December 2006, winning a £1 million recording contract.

Her debut single, a cover of Kelly Clarkson's "A Moment Like This", was released on CD on 20 December 2006, and was available as a digital download from midnight on 17 December. It broke a world record after it was downloaded 50,000 times in thirty minutes. On 24 December, "A Moment Like This" was crowned the 2006 UK Christmas number-one single, having sold 571,253 copies, outselling the rest of the Top 40's sales combined. The single became the most downloaded song in 2006; it stayed at number one for four weeks and stayed at the top spot in the Irish Singles Chart for six weeks.

2007–2009: ''Spirit'' and international breakthrough

In February 2007, Lewis signed a £5 million ($9.7 million) five-album contract in the United States with Clive Davis's record label, J Records, and showcased for several American music executives. A press release was sent out revealing that Cowell and Davis would work together in a first-of-its-kind partnership on both the song and producer selection for Lewis's debut album, entitled ''Spirit''. Lewis recorded tracks for the album in London, Miami, Los Angeles, New York City, and Atlanta, where she worked with several songwriters and record producers including Dallas Austin, Walter Afanasieff, Salaam Remi, Steve Mac, Stargate and Ne-Yo. It was released in November 2007 and entered both the Irish Albums Chart and the UK Albums Chart at number one, becoming the fastest-selling debut album in both countries, and the United Kingdom's fourth fastest selling album of all time. It was released in several other nations in January 2008, and went to number one in New Zealand, Australia, Austria, Germany, South Africa and Switzerland. Two further tracks were recorded in 2008 for the US release of the album: "Forgive Me", produced by Akon, and "Misses Glass", produced by Madd Scientist. It was released in the United States in April 2008 and entered the Billboard 200 at number one, making Lewis the first British artist to reach number one with a debut album. A special edition of ''Spirit'' was re-released in November 2008 in Europe, including the songs "Forgive Me", "Misses Glass" and a cover of the Snow Patrol song "Run". The album again went to number one in the UK Albums Chart. To date the album has sold over 6.5 million copies worldwide and has a 9× platinum certification in the UK.

Lewis's second single, "Bleeding Love", produced by Ryan Tedder and written by Tedder and Jesse McCartney, was released in October 2007 in the UK, where it sold 218,805 copies in its first week, giving it the biggest first-week sales of 2007 to date. It entered the UK Singles Chart at number one, where it stayed for seven weeks, and in the Irish Singles Chart it remained at number one for eight weeks. It reached number one in the singles charts of New Zealand, Australia, France, Germany, Norway, Switzerland, Belgium, The Netherlands, Austria, Canada and the United States. "Bleeding Love" won The Record of the Year in December 2007. In February 2008, "Bleeding Love" entered the Billboard Hot 100 at number 85 and then went on to peak at number one for four non-consecutive weeks. The song became the first track by a UK female to reach number one since Kim Wilde's "You Keep Me Hangin' On" in 1987. Lewis's third single, a double A-side featuring "Better in Time" and "Footprints in the Sand", was released in the United Kingdom in March 2008, in aid of Sport Relief, and she visited South Africa for the charity. The single reached a peak of number two in the UK singles chart selling over 40,000 copies in its first week of physical release. "Better in Time" was released as Lewis's second single in the US, where it peaked at number 11 in the Billboard Hot 100. "Forgive Me" was released as Lewis's fifth single in November 2008; it reached number five in the UK. "Run" was released as a download-only single in the UK, reaching number one, and becoming the UK's fastest-selling download-only single with 69,244 copies sold in two days. Lewis's last single from ''Spirit'', "I Will Be", was released in January 2009, only in North America; it peaked at number 66 on the Billboard Hot 100. In August 2008, she performed "Whole Lotta Love" with guitarist Jimmy Page of Led Zeppelin at the 2008 Summer Olympics closing ceremony in Beijing, representing the handover to London as the host of the 2012 Summer Olympics. In September 2008, she joined several female singers to perform a single for the anti-cancer campaign Stand Up to Cancer. The single, titled "Just Stand Up!", was performed live during the one-hour telethon that aired on all major US television networks. Lewis received three nominations for the 51st Grammy Awards in December 2008. "Bleeding Love" was nominated for Record of the Year and Best Female Pop Vocal Performance and ''Spirit'' was nominated for Best Pop Vocal Album. She was nominated for four BRIT Awards, in the categories British Female Solo Artist, British Breakthrough Act, British Album for ''Spirit'', and British Single for "Bleeding Love", but despite being the favourite to win the most awards, she received none. She won two awards at the 2008 MOBO Awards: Best Album for ''Spirit'' and Best Video for "Bleeding Love". In December 2008 Lewis was named 'Top New Artist' by ''Billboard'' magazine.

2009–2010: ''Echo'' and The Labyrinth

Lewis's second album, ''Echo'', was given a worldwide release in November 2009. Production took place throughout 2009, including work with Ryan Tedder, Justin Timberlake, Max Martin, Arnthor Birgisson, Kevin Rudolf, and John Shanks. It was recorded in Los Angeles and took nine months to produce. Lewis described the album as "more guitar-driven" compared to ''Spirit''. Lewis performed her first full UK show at the Hackney Empire in London on 2 November 2009, performing songs from ''Spirit'' and ''Echo''. ''Echo'' reached number one in the UK Albums Chart and the top ten of Austria, Ireland and Switzerland. Despite previous attempts from Lewis's lawyers to ban the release of ''Best Kept Secret'' by UEG Music, claiming that the singer had not given her consent, the album was released in January 2009 when the label insisted it owned the rights to the music and Lewis would receive a 50% share of the album's profits. However, a television advert for the album was banned by the Advertising Standards Authority, who said in a statement: "We considered that the claim 'Leona Lewis's new album' misleadingly implied it was the singer's latest recording rather than a new CD of tracks recorded some years ago." The album was released to iTunes in standard and deluxe editions, and two EPs, "Private Party" and "Dip Down"/"Joy", were released in September 2009. The first single released from ''Echo'' was "Happy", which was written by Lewis, Tedder and Evan Bogart and produced by Tedder. The single was released on 15 September 2009, peaking at number two in the UK, and reaching the top ten in Austria, Belgium, Germany, Ireland, Japan and Switzerland. Lewis also recorded the theme song for the 2009 science fiction film ''Avatar'', directed by James Cameron. The song, "I See You (Theme from Avatar)", was written by James Horner and Simon Franglen. It was nominated for Best Original Song at the 67th Golden Globe Awards. In January 2010, Lewis provided vocals on a cover of "Everybody Hurts", released to help raise money for victims of the 2010 Haiti earthquake. The second single from ''Echo'', "I Got You", was released in February 2010. The song "My Hands" was used as the theme song for Final Fantasy XIII In April 2010, she featured on a duet with Italian singer Biagio Antonacci, called "Inaspettata (Unexpected)", from his album ''Inaspettata''. They performed the song on the Italian TV show ''Io Canto'' on 22 October 2010. Lewis performed a 13-piece set list at the Rock in Rio festival in Lisbon, Portugal, on 22 May 2010, including songs from ''Spirit'' and ''Echo''. Her first tour, titled The Labyrinth supporting ''Spirit'' and ''Echo'', started in May 2010, with a theme based on the film ''Labyrinth''. Lewis was scheduled to tour North America from July to August 2010 supporting Christina Aguilera's Bionic Tour, however, Aguilera postponed the tour until 2011, leaving Lewis's plans unknown. A DVD of the tour, along with a ten-track CD, was released with the title ''The Labyrinth Tour Live from The O2'' on 29 November 2010.

2010–present: ''Glass Heart''

Lewis began work on her third album shortly after she had completed The Labyrinth tour. She suggested the album would be "a bit different from what people have heard" from her before, adding that she planned to "go in and create and just see what happens". Lewis later described the album as "more progressive", "more eclectic", "more uptempo" and "a bit darker". Reports suggested that the album had taken a dubstep direction, with songwriters asked to submit dance songs and no ballads. It was also reported that Simon Cowell had set a deadline for the album for a summer 2011 release. On 25 May 2011, Lewis was named as an ambassador for BBC Radio 1's Hackney Weekend 2012, the BBC's biggest ever free-ticketed live music event, and one of the artists confirmed to be performing at the event, which will take place on 23 and 24 June 2012. Following the announcement, she performed a special Live Lounge at the Hackney Empire, with a reggae version of "Better in Time", which incorporated Rihanna's "Man Down", and a cover of Labrinth's "Let the Sun Shine". In June 2011, when asked about the upcoming album, Lewis described it as "energetic, deep, [and] unique". She also commented that it would have a darker tone and that she would be putting her "heart into [her] lyrics". She cited Tracy Chapman, Kate Bush and Tears for Fears as the album's primary influences.

On 14 July 2011, it was confirmed that "Collide" would be the first track to be taken from Lewis's third studio album, ''Glass Heart''. The dance-pop anthem, written by Autumn Rowe and produced by Sandy Vee, had its first UK radio play on ''The Scott Mills Show'' on BBC Radio 1 on 15 July 2011. It will be released in the UK on 4 September 2011 and Germany on 9 September 2011. The single courted controversy after it was claimed to have plagiarised Swedish musician Avicii's 2010 song "Penguin". Berg took the case to the British High Court.

For the album, Lewis has worked with numerous writers and producers including: Ammo, Jonas Quant, Chuck Harmony, Claude Kelly, Ryan Tedder, Fraser T. Smith, Al Shux, Steve Robson, Dallas Austin, Rico Love and Ne-Yo. In May 2011, it was reported that Lewis had recorded a track called "Trouble" written by Emeli Sandé and Naughty Boy. Lewis also recorded a track called "Mountains" written by Sandé, Naughty Boy and Blazin' Squad members Flava (James Murray) and Mus (Mustafa Omer).

It has been confirmed that the album is entitled ''Glass Heart'' and to be released in the UK on 28 November 2011.

Voice

A mezzo-soprano, Lewis is often compared with other singers such as Celine Dion, Whitney Houston and Mariah Carey. Lewis is also known to sing opera, stating that she practises operatic scales every week. Music critic Neil McCormick, of ''The Daily Telegraph'', has praised Lewis's technical skills, writing, "Her mezzo-soprano range allows her to take melodies from luxurious low notes to high-flying falsetto, gliding with elegant power and impressive control through all kinds of fluctuations and modulations." Stephen Thomas Erlewine of ''AllMusic'' adds, "Lewis can hit [high belted] notes but make it seem easy, never straining her voice and building nicely to the climax." In the same vein, ''Slant'' describes Lewis's vocals as "technically unimpeachable".

Other activities

In October 2008, ''The Times'' reported that Lewis had turned down a $1 million deal with Mohamed Al Fayed to open a Harrods sale. Lewis commented in the press that she turned down the deal on the grounds that Harrods is the only UK department store which continues to stock clothing made from animal fur. She told ''The Big Issue'', "I got a lot of flak for that. There were people who said I should have done it and given the money to charity, but that would have been such a contradiction." She announced in October 2008 that she was in the "bargaining period" of launching her own ethical line of accessories through Topshop, and that she was in the late stages of releasing her own perfume for Europe. Her perfume, ''Leona Lewis'', was launched by LR in July 2009. In 2010, she set up a fashion company with her then boyfriend, Lou Al-Chamaa, called LOA Clothing Ltd.

Lewis signed a book deal in January 2009 to release an illustrated autobiography in October 2009. The book, entitled ''Dreams'', contains mostly pictures taken by photographer Dean Freeman. In 2010, it was reported Lewis was offered a cameo role in the second series of the American television programme ''Glee''.

Personal life

Lewis lives in Hackney. She lived with her boyfriend Lou Al-Chamaa until their split in June 2010. Lewis and Al-Chamaa knew each other since she was approximately ten years old. A vegetarian since she was 12, Lewis won PETA's Sexiest Vegetarian along with Red Hot Chili Peppers frontman Anthony Kiedis in 2008, and Europe's Sexiest Vegetarian in 2009 with actor Scott Maslen. She also was named PETA's Person Of The Year for 2008. Lewis is a supporter of the World Society for the Protection of Animals.

At a book signing for ''Dreams'' on 14 October 2009 at the Piccadilly branch of Waterstone's book store in central London, Lewis received a punch to the head from Peter Kowalczyk, a 29-year-old man from south London. Kowalczyk was arrested at the scene, and Lewis suffered bruising. She later released a statement thanking fans for their support. Kowalczyk was sectioned under the Mental Health Act and was charged with common assault, which he admitted to. He was ordered to remain in hospital for an indeterminate period.

Discography

''Spirit'' (2007)

''Echo'' (2009)

''Glass Heart'' (2011)

Tours

2010: The Labyrinth

Awards and nominations

References

External links

Category:1985 births Category:Living people Category:Alumni of the Sylvia Young Theatre School Category:English crime victims Category:English female singers Category:English-language singers Category:English people of Guyanese descent Category:English people of Irish descent Category:English people of Italian descent Category:English people of Welsh descent Category:English pop singers Category:English rhythm and blues singers Category:English singer-songwriters Category:English soul singers Category:English vegetarians Category:People educated at the BRIT School Category:Ivor Novello Award winners Category:J Records artists Category:Singers from London Category:People from Islington Category:Sony BMG artists Category:The X Factor (UK) contestants Category:World Music Awards winners Category:X Factor series winners

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name	Marc Bolan
background	solo_singer
birth name	Mark Feld
born	September 30, 1947Hackney, London, England
died	September 16, 1977Barnes, London, England
genre	Hard rock, glam rock, psychedelic folk, psychedelic rock, pop rock
years active	1957–1977
occupation	Musician
instrument	Guitar, vocals, bass, Moog synthesizer, percussion
label	A&M, EMI, Reprise, Mercury
associated acts	T. Rex, John's Children
notable instruments	Gibson Les PaulGibson Flying VFender Stratocaster }}

Marc Bolan (born Mark Feld; 30 September 1947 – 16 September 1977) was an English singer-songwriter, guitarist and poet. He is best known as a solo artist, and previously, for founding British rock band Tyrannosaurus Rex (later renamed T. Rex). His music, as well as his highly original sense of style and extraordinary stage presence, helped create the glam rock era which made him one of the most recognisable stars in British rock music.

Biography

Early life and career

Bolan grew up in post-war Hackney, east London, the son of Phyllis Winifred (née Atkins) and Simeon Feld, a lorry driver. His father was of Polish-Russian Jewish descent. Later moving to Wimbledon, south-west London, he fell in love with the rock and roll of Gene Vincent, Eddie Cochran, Arthur Crudup and Chuck Berry and became a mod, hanging around coffee bars such as the 2 I's in Soho. He appeared as an extra in an episode of the television show Orlando, dressed as a mod. At the age of nine, Bolan was given his first guitar and began a skiffle band. While at school, he played guitar in "Susie and the Hoops," a trio whose vocalist was a 12-year old Helen Shapiro. At 15, he left school "by mutual consent".

He briefly joined a modelling agency and became a "John Temple Boy", appearing in a clothing catalogue for the menswear store. He was a model for the suits in their catalogues as well as for cardboard cut-outs to be displayed in shop windows. "TOWN" magazine featured him as an early example of the mod movement in a photo spread with two other models. Mark Feld had changed his stage-name to Toby Tyler when he met and moved in with child actor Allan Warren, who was to become his first manager. This fortuitous encounter afforded Bolan a lifeline to the heart of show-business, as Warren saw Toby Tyler's potential whilst the latter spent hours sitting cross-legged on Warren's floor playing his acoustic guitar. A series of photographs was to be commissioned with photographer Michael McGrath, who later recalls that Bolan "left no impression" on him. Warren also hired a recording studio and had Bolan's first acetates cut. One track was the Bob Dylan song "Blowin' in the Wind". A version of Betty Everett's "You're No Good" was later submitted to EMI for a test screening but was turned down. Warren later sold Bolan's contract and recordings for £200 to his landlord, property mogul David Kirch, in lieu of three months' back rent. Kirch was too busy with his property empire to do anything for him. A year or so later, Bolan's mother pushed into Kirch's office and shouted at him that he had done nothing for her son. She demanded he tear up the contract and willingly he complied. The tapes produced during the Toby Tyler recording session vanished for over 25 years before resurfacing in 1991 and selling for nearly $8,000. Their eventual release on CD in 1993 made available the earliest of Marc's known recordings.

According to Danny Baker speaking on QI Series G, episode 15 on BBC television, ''Bolan'' is a contraction of Bob Dylan. After changing his name again to Marc Bolan (via Mark Bowland) while with Decca Records he released his first single "The Wizard". In early 1967, manager Simon Napier-Bell added him to the pop art/mod band John's Children, which achieved some success as a live band but sold few records. A John's Children single written by Marc Bolan called "Desdemona" was banned by the BBC for its line "lift up your skirt and fly." His tenure with the band was brief. Bolan claimed to have spent time with a wizard in Paris who gave him secret knowledge and could levitate. The time spent with him was often alluded to but remained "mythical"; in reality the wizard was probably U.S. actor Riggs O'Hara with whom Bolan made a trip to Paris in 1965. His song-writing took off and he began writing many of the neo-romantic songs that would appear on his first albums with Tyrannosaurus Rex.

Tyrannosaurus Rex

When John's Children collapsed (amongst other problems, the band were stunned to discover their equipment had been stolen from a studio, according to a Bolan biographer), Bolan and Steve Peregrine Took created Tyrannosaurus Rex, a psychedelic-folk rock acoustic duo, playing Bolan's songs, with Took playing assorted hand and kit percussion and occasional bass to Bolan's acoustic guitars and voice.

This version of Tyrannosaurus Rex released four albums and four singles, flirting with the charts, reaching as high as number fifteen and supported with airplay by Radio 1 DJ John Peel. One of the highlights of this era was when the duo played at the first free Hyde Park concert in 1968. Although the free-spirited, drug-taking Took was fired from the group after their first American tour, they were a force to be reckoned within the hippy underground scene while they lasted. Their music was filled with Marc's otherworldly poetry, a book of which he published in 1969, 'The Warlock Of Love'. In keeping with his early rock and roll interests, Bolan began bringing amplified guitar lines into the duo's music, buying a vintage Gibson Les Paul guitar (later featured on the cover of the album ''T. Rex'' in 1970). After replacing Took with Mickey Finn, he let the electric influences come forward even further on ''A Beard of Stars'', the final album to be credited to Tyrannosaurus Rex. It closed with the song "Elemental Child," featuring a long electric guitar break influenced by Jimi Hendrix.

Bolan, by now married to his girlfriend June Child (a former secretary to the manager of another of his heroes, Syd Barrett), shortened the group's name to T. Rex and wrote and recorded "Ride a White Swan", dominated by a rolling, hand clapping back-beat, Bolan's electric guitar and Finn's percussion.

T. Rex and glam rock

Bolan and his producer Tony Visconti oversaw the session for "Ride a White Swan", the single that changed Bolan's career. Recorded on 1 July 1970 and released later that year, it made slow progress in the UK Top 40, until it finally peaked in early 1971 at number two.

Bolan took to wearing top hats and feather boas on stage as well as putting drops of glitter on each of his cheekbones. Stories are conflicting about his inspiration for this—some say it was introduced by his personal assistant, Chelita Secunda, although Bolan told John Pidgeon in a 1974 interview on Radio 1 that he noticed the glitter on his wife's dressing table prior to a photo session and casually daubed some on his face there and then. Other performers—and their fans—soon took up variations on the idea.

The glam era also saw the rise of Bolan's friend David Bowie, whom Bolan had come to know in the underground days (Bolan had played guitar on Bowie's 1970 single "Prettiest Star").

Bolan followed "Ride a White Swan" and ''T. Rex'' by expanding the group to a quartet with bassist Steve Currie and drummer Bill Legend, and cutting a five-minute single, "Hot Love", with a rollicking rhythm, string accents and an extended sing-along chorus inspired somewhat by "Hey Jude". It was number one for six weeks and was quickly followed by "Get It On", a grittier, more adult tune that spent four weeks in the top spot. The song was renamed "Bang a Gong (Get It On)" when released in the United States, to avoid confusion with another song of the same name by the American band Chase. The song reached #10 in the United States in early 1972, the only top 40 single the band ever had in America.

In November 1971, the band's record label, Fly, released the ''Electric Warrior'' track "Jeepster" without Bolan's permission. Outraged, Bolan took advantage of the timely lapsing of his Fly Records contract and left for EMI, who gave him his own record label, the T. Rex Wax Co. Its bag and label featured an iconic head-and-shoulders image of Bolan. Despite the lack of Bolan's endorsement, "Jeepster" peaked at number two.

In 1972, Bolan achieved two more British number ones with "Telegram Sam" and "Metal Guru" (the latter of which stopped Elton John getting to the top with "Rocket Man") and two more number twos in "Children Of The Revolution" and "Solid Gold Easy Action". Bolan told Gloria Jones the track "Metal Guru" would be "the smoothest song in history".

The total of four number two singles (the top spot held by novelty singles recorded by Clive Dunn, Benny Hill and Little Jimmy Osmond). In the same year he appeared in Ringo Starr's film ''Born to Boogie'', a documentary showing a concert at Wembley Empire Pool on 18 March 1972. Mixed in were surreal scenes shot at John Lennon's mansion in Ascot and a session with T. Rex joined by Ringo Starr on second drum kit and Elton John on piano. At this time T. Rex record sales accounted for about 6 percent of total British domestic record sales. The band was reportedly selling 100,000 records a day; however, no T. Rex single ever became a million-seller in the UK, despite many gold discs and an average of four weeks at the top per number one hit; documentation of actual sales has been lost.

In 1973, Bolan played twin lead guitar alongside his friend Jeff Lynne on the Electric Light Orchestra songs "Ma-Ma-Ma Belle" and "Dreaming of 4000" (originally uncredited) from ''On the Third Day'', as well as on "Everyone's Born To Die", which was not released at the time but appears as a bonus track on the 2006 remaster.

Bolan played guitar in Ringo Starr's ''Ringo'' album on the track "Have you seen my baby (hold on)".

By late 1973, his pop star fame gradually began to wane, even though he achieved a number three hit, "20th Century Boy", in February and mid-year "The Groover" followed it to number four. "Truck On (Tyke)" missed the UK Top 10 reaching only number twelve in December. However, "Teenage Dream" from the 1974 album ''Zinc Alloy And The Hidden Riders of Tomorrow'' showed that Bolan was attempting to create richer, more involved music than he had previously attempted with T. Rex. He expanded the line up of the band to include a second guitarist, Jack Green, and other studio musicians, and began to take more control over the sound and production of his records.

In 1974, Bolan played guitar for Ike & Tina Turner. He appeared on "Nutbush City Limits", "Sexy Ida (Part II)", and "Baby Get It On". Tina Turner confirmed this in a BBC Radio 1 interview.

Eventually, the vintage T. Rex line-up disintegrated. Legend left in 1973 and Finn in 1975 and Bolan's marriage came to an end because of his affair with backing singer Gloria Jones. He spent a good deal of his time in the U.S. for much of the next three years, continuing to release singles and albums which, while less popular to the masses, were full of unusual lyrics and sometimes eccentric musical experiments. Although Bolan's health began to fail as he put on weight, the former glam rock icon cleaned up and continued working, producing at least one UK chart hit every year until his death in 1977.

Resurgence

Gloria Jones gave birth to Bolan's son in September 1975, whom they named Rolan Bolan (although his birth certificate lists him as 'Rolan Seymour Feld'; compare David Bowie's son Zowie Bowie). That same year, Bolan returned to the UK from tax exile in the U.S. and Monaco and to the public eye with a low-key tour. Bolan made regular appearances on the LWT pop show ''Supersonic'', directed by his old friend Mike Mansfield and released a succession of singles, but he never regained the success of his glory days of the early 1970s. The last remaining member of Bolan's halcyon era T. Rex, Currie, left the group in late 1976.

In early 1977, Bolan got a new band together, released a new album, ''Dandy in the Underworld'', and set out on a fresh UK tour, taking along punk band The Damned as support to entice a young audience who did not remember his heyday. Granada Television commissioned Bolan to front a six-part series called ''Marc'', where he introduced new and established bands and performed his own songs. By this time Bolan had lost weight, appearing as trim as he had during T. Rex's earlier heyday. The show was broadcast during the post-school half-hour on ITV earmarked for children and teenagers; it was a big success. One episode reunited Bolan with his former John's Children-bandmate Andy Ellison, then fronting the band Radio Stars. The last episode featured a unique Bolan "duet" with David Bowie during which Bolan fell off the stage before the singing had commenced. With no time for a retake, this occurrence was aired and Bowie's amusement was clearly visible.

Death

Bolan died on 16 September 1977, two weeks before his 30th birthday. He was a passenger in a purple Mini 1275GT (registration FOX 661L) driven by Gloria Jones as they headed home from Mortons drinking club and restaurant in Berkeley Square. Jones lost control of the car and it struck a sycamore tree after failing to negotiate a small humpback bridge near Gipsy Lane on Queens Ride, Barnes, southwest London. Bolan died instantly, while Jones suffered a broken arm and broken jaw and spent time in hospital; she did not learn of Bolan's death until the day of his funeral. Bolan's home, which was less than a mile away at 142 Upper Richmond Road West in East Sheen, was quickly looted. Fans quickly turned the site of the crash into a shrine and in 2007 the site was officially recognised as Bolan's Rock Shrine.

At Bolan's funeral, attended by David Bowie and Rod Stewart, a swan-shaped floral tribute was displayed outside the service in recognition of his breakthrough hit single. His funeral service was at the Golders Green Crematorium which is a secular provision in North London. Bolan himself stated that he was Jewish, the religion of his father. However, because his mother was not a Jew he would be considered a gentile under Orthodox Jewish law (Halakha). His ashes were buried at Golders Green Crematorium.

Bolan never learned to drive, fearing a premature death. Despite this fear, cars or automotive components are at least mentioned in, if not the subject of, many of his songs. He also owned a number of vehicles, including a famed white Rolls-Royce, which had been lent by his management to Hawkwind on the night of his death.

Fellow T. Rex member Steve Currie also died in a car crash less than four years later.

Equipment

Guitars

Electric: Marc Bolan was mostly seen playing Gibson Les Pauls. His main guitar, a Les Paul Standard (fitted with a Les Paul Custom replacement neck after the original neck was broken) was refinished in an translucent orange to resemble Gretsch guitars played by his hero Eddie Cochran. He was also seen playing a black Gibson Flying V with tremolo and a late 1960s model Olympic White Fender Stratocaster. One with both an eye and ear for the unusual, Bolan also played various models of visually striking guitars from smaller independent companies, among them a Veleno aluminium guitar, and the Burns Flyte. Acoustic: Bolan favoured the Epiphone and Gibson brands. Most notably the Gibson Hummingbird and Gibson J-160E models.

In 2011, Gibson Guitar Corporation issued a specification-correct model of his main Gibson Les Paul guitar as part of their Signature series.

Amplification

While Bolan was known to use makes as diverse as Vox, Orange, and Marshall, he is perhaps most associated with the short-lived Vampower line of British amplifiers. Used through 1970–1973, the model MK1A Vampower 100 watt stack was present and utilised on the ground-breaking T. Rex tours and recordings of that period.

Signal Processors

Dallas-Arbiter Fuzz Face, Electro-Harmonix Screaming Tree, MXR Blue Box, Vox wah.

Legacy

In 1979, Siouxsie and the Banshees released a cover of "20th Century Boy" as the b-side to the single "The Staircase (Mystery)".

In December 1980, "Telegram Sam" was the fourth single released by British gothic rock band Bauhaus. The A side is a cover of T. Rex's song of the same name. It was released in 7-and 12-inch format, the latter featuring "Rosegarden Funeral of Sores" as an extra track.

Also in 1980, The Bongos were the first American group, with "Mambo Sun," to enter the ''Billboard'' charts with a T.Rex cover. Since then, Bongos frontman Richard Barone has recorded several other Bolan compositions ("The Visit," "Ballrooms of Mars"), worked with T.Rex producer Tony Visconti for his current solo album, ''Glow'' (2010, Bar/None Records) that includes a remake of Bolan's "Girl" from ''Electric Warrior'', and has himself produced tracks for Bolan's son Rolan.

In 1981, Department S released a cover of "Solid Gold Easy Action" as the b-side to the single "Is Vic There?".

In 1984, The Replacements released a cover of "20th Century Boy" as a B-side to the single "I Will Dare"; it is also included on the reissue version of their album ''Let It Be''. In 1993, Adam Ant (born, Stuart Leslie Goddard) covered the track live on the Limed Edition live disc of his ''Antmusic: The Very Best of Adam Ant'' collection.

In 1985, Duran Duran splinter band Power Station, with Robert Palmer as vocalist, took a version of "Get It On" into the UK Top 40 and to US #6, the first cover of a Bolan song to enter the charts since his death. They also performed the tune (with Michael Des Barres replacing Palmer) at the U.S. Live Aid concert.

In 1986, the Violent Femmes performed "Children of the Revolution" on their third album ''The Blind Leading the Naked'', for which they also recorded a music video.

In 1990, Baby Ford did a cover of "Children of the Revolution" that appeared on the album ''Oooh, The World of Baby Ford''.

In 1993, Guns N' Roses covered "Buick MacKane" on 'The Spaghetti Incident?" but it was mislabelled on the album as "Buick Makane".

In 1994, Billy Idol wore a t-shirt reproducing ''The Slider'' album cover in his popular video supporting the song "Speed". That was a clear homage to Marc Bolan, who helped Generation X to rise at the very beginning of their career.

In 2006 Def Leppard released their album ''Yeah'' which contains covers of their favourite bands while growing up, the first song on this album is "20th Century Boy". Joe Elliott wanted to sing "Metal Guru" while Vivian Campbell wanted "Telegram Sam" but end up agreeing to "20th Century Boy". It's not the first time that Def Leppard has sung a T.Rex song; there is a live version of Get It On.

"Children of the Revolution" was similarly performed by Elton John and Pete Doherty at Live 8, 20 years later. Bono and Gavin Friday cover "Children of the Revolution" on the ''Moulin Rouge!'' soundtrack.

In 2000, Naoki Urasawa created a Japanese manga entitled ''20th Century Boys'' that was inspired by Marc Bolan's song, "20th Century Boy". The series is a multiple award-winner, and has also been released in North America. The story was adopted into three successful live-action movies from 2008 to 2009, which were also released in the US, Canada and the UK.

"20th Century Boy" introduced a new generation of devotees to Bolan's work in 1991 when it was featured on a Levi's jeans TV commercial featuring Brad Pitt, and was re-released, reaching the UK Top 20. The song was performed by the fictional band The Flaming Creatures (performed by Placebo, reprised by Placebo and David Bowie at the 1999 BRIT Awards) in the 1998 film ''Velvet Goldmine''. In every decade since his death, a Bolan greatest hits compilation has placed in the top 20 UK albums and periodic boosts in sales have come via cover versions from artists inspired by Bolan, including Morrissey and Siouxsie and the Banshees. Similarly, "I Love to Boogie" was briefly used on an advert for Robinson's soft drink in 2001, bringing Bolan's music to a new generation. Mitsubishi also featured "20th Century Boy" in a 2002 car commercial, prompting Hip-O Records to release a best-of collection CD titled ''20th Century Boy: The Ultimate Collection''.

His music is still widely used in films, recent notable cases being ''Breakfast on Pluto'', ''Death Proof'', ''Lords of Dogtown'', ''Billy Elliot'', ''Jarhead'', ''Moulin Rouge!'', ''Herbie: Fully Loaded'', ''Breaking-Up'', ''Hot Fuzz'', ''Click'', ''School of Rock'' & ''Scott Pilgrim vs. the World''. Bolan is still cited by many guitar-centric bands as a huge influence (Joy Division/New Order's Bernard Sumner has said that the first single he owned was "Ride a White Swan".) However, he always maintained he was a poet who put lyrics to music. The tunes were never as important as the words.

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An altogether less welcome legacy for his friends and family is the ongoing row about his fortune. Bolan had arranged a discretionary trust to safeguard his money. His death left the fortune beyond the reach of those closest to him and both his family and journalists have taken an active interest in investigating the situation, so far with little result other than bringing the story to wider attention. A small, separate Jersey-based trust fund has allowed his son to receive some income. However, the bulk of Bolan's fortune, variously estimated at between £20 and £30 million pounds (approx $38 – $57 million), remains in trust. As of 2007, Bolan's family is supposed to have a house paid for by the trust, and Rolan is supposed to receive an allowance.

Bolan returned to the top of the UK charts in 2005 when the remastered, expanded ''Born to Boogie'' DVD hit No. 1 in the Music DVD charts.

Steve Kilbey – a self-confessed Marc Bolan fan and singer for renowned Australian art-rock group The Church – performed Bolan's "One Inch Rock" on the Steve Kilbey Live DVD, released in January 2008.

In 2006, it was revealed that English Heritage had refused to commission a blue plaque to commemorate Bolan, as they believed him to be of "insufficient stature or historical significance". There is, however, an existing plaque dedicated to Bolan at his childhood home, put there by Hackney Council.

There are also two plaques dedicated to his memory at Golders Green Crematorium in North London. The second one to be displayed was placed there by the official Marc Bolan fan club and fellow fans in September 2002, to commemorate the 25th anniversary of his passing. The inscription on the stone, which also bears his image, reads '25 years on – his light of love still shines brightly'. Placed beneath the plaque there is an appropriate ceramic figure of a white swan.

In 2006, TV series ''Life on Mars'', William Matheson portrays Marc Bolan, circa 1973, in a bar in Manchester. Time-travelling Sam Tyler recognises him, has a fan boy moment, and warns him to be careful of riding in Minis. In the American version of the series, the character is replaced by that of Jim Croce, who died later that year in a plane crash, and Sam warns him. However, the T. Rex version of "Get It On" is played in the New York dance club in that scene.

One of Bolan's guitars, a Gibson Flying V, recently turned up on ''Antiques Roadshow'' in the hands of a private collector. The appraiser estimated the value of the guitar to be approximately £50,000–60,000.

A school is planned in his honour, to be built in Sierra Leone: The Marc Bolan School of Music and Film.

The Cameron Crowe-created movie "Almost Famous" features a scene where a Black Sabbath groupie is telling aspiring journalist William Miller (said to be created in Crowe's own image) about how, "Marc Bolan broke her heart, man. It's famous," regarding the character of Penny Lane, played by Kate Hudson.

My Chemical Romance's song 'Vampire Money' taken from their album 'Danger Days: The True Lives of the Fabulous Killjoys' released on 22 November 2010 features the lyric 'glimmer like Bolan in the morning sun', referencing Marc Bolan.

A musical, ''20th Century Boy'', based on Bolan's life, and featuring his music, is due to premiere at the New Wolsey Theatre in Ipswich in autumn 2011.

Discography

;Singles'''

Nov. 1965 The Wizard/Beyond The Rising Sun. Decca F 12288.

June 1966. The Third Degree/San Francisco Poet. Decca F 12413.

Dec. 1966. Hippy Gumbo/Misfit. Parlophone R 5539.

''John's Children:''

May 1967. Desdemona/Remember Thomas A Beckett. Track 604 003.

July 1967. Midsummer's Night Scene/Sara Crazy Child. (Track 604 005, withdrawn; very few copies exist)

Aug. 1967. Come And Play With Me In The Garden/Sara Crazy Child. Track 604 005.

''Tyrannosaurus Rex:''

April 1968. Debora/Child Star.(34). Regal Zono RZ 3008.

Aug. 1968. One Inch Rock/Salamada Palaganda.(28). Regal Zono RZ 3011.

Jan. 1969. Pewtor Suitor/Warlord Of The Royal Crocodiles. Regal Zono RZ 3016.

July 1969. King Of The Rumbling Spires/Do You Remember.(44). Regal Zono RZ 3022.

Jan. 1970. By The Light Of A Magical Moon/Find A Little Wood. Regal Zono RZ 3025.

March 1970. Debora/One Inch Rock/Woodland Bop/Seal Of Seasons.(7). Magnifly ECHO 102.

''Dib Cochran And The Earwigs:''

1970. Oh Baby/Universal Love/Deep Summer. Bell 1121.

''T. Rex:''

Oct. 1970. Ride a White Swan/Is It Love/Summertime Blues. Fly BUG 1.

Feb. 1971. Hot Love/Woodland Rock/King Of The Mountain Cometh. Fly BUG 6.

July 1971. Get It On (Bang a Gong)/There Was A Time/Raw Ramp. Fly BUG 10.

Nov. 1971. Jeepster/Life's A Gas. Fly BUG 16.

Jan. 1972. Telegram Sam/Cadillac/Baby Strange. T.Rex Wax 101.

May 1972. Metal Guru/Thunderwing/Lady. EMI Marc 1.

Sept. 1972. Children of the Revolution/Jitterbug Love/Sunken Rags. EMI Marc 2.

Dec. 1972. Solid Gold Easy Action/Born To Boogie. EMI Marc 3.

March 1973. 20th Century Boy/Free Angel. EMI Marc 4.

June 1973. The Groover/Midnight. EMI Marc 5.

''Electric Light Orchestra:''

Jan. 1973. ''On the Third Day'' – Marc Bolan played twin lead guitar on the track "Ma-Ma-Ma Belle" and 5 other songs.

''Big Carrot:''

Aug. 1973. Blackjack/Squint Eye Mangle. EMI 2047.

''T. Rex:''

Nov. 1973. Truck On (Tyke)/Sitting Here.(12). EMI Marc 6.

Jan. 1974. "Teenage Dream"/"Satisfaction Pony".(13). EMI Marc 7.

''Marc Bolan:''

June 1974. Jasper C. Debussy/Hippy Gumbo/The Perfumed Garden Of Gulliver Smith. Track 2094 013.

''T. Rex:''

July 1974. Light Of Love/Explosive Mouth.(22). EMI Marc 8.

Nov. 1974. Zip Gun Boogie/Space Boogie.(41). EMI Marc 9.

July 1975. New York City/Chrome Sitar.(15). EMI Marc 10.

Sept. 1975. Dreamy Lady/Do You Wanna Dance?/Dock Of The Bay.(30). EMI Marc 11.

Nov. 1975. Christmas Bop/Telegram Sam/Metal Guru.(Scheduled for release but cancelled). EMI Marc 12.

Feb. 1976. London Boys/Solid Baby.(40). EMI Marc 13.

April 1976. Hot Love/Get It On. Cube BUG 66.

June 1976. I Love To Boogie/Baby Boomerang.(13). EMI Marc 14.

Sept. 1976. Laser Love/Life's An Elevator.(41). EMI Marc 15.

''Marc Bolan and Gloria Jones:''

Jan. 1977. To Know Him Is To Love Him/City Port. EMI 2572.

''T. Rex:''

March 1977. The Soul Of My Suit/All Alone.(42). EMI Marc 16.

May 1977. Dandy In The Underworld/Groove A Little/Tame My Tiger. EMI Marc 17.

Aug. 1977. Celebrate Summer/Ride My Wheels. EMI Marc 18.

References

External links

Marc Bolan Signature Les Paul from Gibson

Born to Boogie: a site dedicated to Marc Bolan and T.Rex in the Ringo Starr-produced film and its redux release in 2005

Marc Bolan and T. Rex information website

Marc Bolan School Of Music And Film

Marc Bolan Myspace

Marc Bolan and T. Rex information website

Morton's Club, Berekeley Square, London W1J

Category:1947 births Category:1977 deaths Category:English Jews Category:English male singers Category:English rock singers Category:English singer-songwriters Category:Glam rock Category:Jewish musicians Category:People from Stoke Newington Category:English people of Polish descent Category:English people of Russian descent Category:Road accident deaths in England Category:Protopunk musicians Category:Lead guitarists

cs:Marc Bolan da:Marc Bolan de:Marc Bolan el:Μαρκ Μπόλαν es:Marc Bolan fr:Marc Bolan gl:Marc Bolan hr:Marc Bolan id:Marc Bolan it:Marc Bolan he:מארק בולאן hu:Marc Bolan nl:Marc Bolan ja:マーク・ボラン no:Marc Bolan nn:Marc Bolan pl:Marc Bolan pt:Marc Bolan ro:Marc Bolan ru:Марк Болан fi:Marc Bolan sv:Marc Bolan uk:Марк Болан

name	David Bowie
background	solo_singer
birth name	David Robert Jones
birth date	January 08, 1947
birth place	Brixton, London, England
occupation	Musician, singer-songwriter,record producer, actor
years active	1964–present
instrument
genre	Rock, glam rock, art rock, pop
associated acts	The Riot Squad, Tin Machine
label	Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye
website	davidbowie.com }}

David Bowie ( ; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album ''Young Americans'', which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album ''Low'' (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes" and its parent album, ''Scary Monsters (and Super Creeps)''. He paired with Queen for the 1981 UK chart-topping single "Under Pressure", then reached a new commercial peak in 1983 with the album ''Let's Dance'', which yielded the hit singles "Let's Dance", "China Girl", and "Modern Love". Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was ''Reality'' (2003), which was supported by the 2003–2004 Reality Tour.

Biographer David Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the United Kingdom, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the United States, five Platinum and seven Gold certifications. In 2004, ''Rolling Stone'' ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.

History

1947–62: early years

David Bowie was born David Robert Jones in Brixton, London, on 8 January 1947. His mother, Margaret Mary "Peggy" (née Burns), of Irish descent, worked as a cinema usherette, while his father, Haywood Stenton "John" Jones, was a promotions officer for Barnardo's. The family lived at 40 Stansfield Road, located near the border of the south London areas of Brixton and Stockwell. A neighbour recalled that "London in the forties was the worst possible place, and the worst possible time for a child to grow up in." Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded child—and a defiant brawler.

In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God". Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet." Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.

It was an unusual technical school, as biographer Christopher Sandford writes:

Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician. He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–68: the Konrads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall. "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, ''David Bowie'', an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.

Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year. After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–73: psychedelic folk to glam rock

''Space Oddity'' to ''Hunky Dory''

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, ''Love You till Tuesday'', was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Breaking up with Farthingale shortly after completion of the film, Bowie moved in with Mary Finnigan as her lodger. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. This soon morphed into the Beckenham Arts Lab, and became extremely popular. The Arts Lab hosted a free festival in a local park, later immortalised by Bowie in his song "Memory of a Free Festival". "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, ''Space Oddity'', followed in November; originally issued in the UK as ''David Bowie'', it caused some confusion with its predecessor of the same name, and the early US release was instead titled ''Man of Words/Man of Music''. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release.

Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist. A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.

The studio sessions continued and resulted in Bowie's third album, ''The Man Who Sold the World'' (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by ''Space Oddity''. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including ''Rolling Stone''s John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass". During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".

''Hunky Dory'' (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word ''zoe'', life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

''Ziggy Stardust''

With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". Dressed in a striking costume, his hair dyed red, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder and Woodmansey—at the Toby Jug pub in Tolworth on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the course of the next six months and creating, as described by Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972), combining the hard rock elements of ''The Man Who Sold the World'' with the lighter experimental rock and pop of ''Hunky Dory'', was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July ''Top of the Pops'' performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old ''Hunky Dory''. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough ''Transformer'', co-producing the album with Mick Ronson. His own ''Aladdin Sane'' (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. ''Aladdin Sane'' spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both ''Ziggy Stardust'' and ''Aladdin Sane'', were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film ''Ziggy Stardust and the Spiders from Mars''.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: ''The Man Who Sold the World'' had been re-released in 1972 along with ''Space Oddity''. "Life on Mars?", from ''Hunky Dory'', was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. ''Pin Ups'', a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. ''Diamond Dogs'' (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's ''1984'' to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, ''Cracked Actor'', featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, ''David Live'', ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". ''David Live'' nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was ''Young Americans'' (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. ''Young Americans'' yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on". Earning the distinction of being one of the first white artists to appear on the US variety show ''Soul Train'', Bowie mimed "Fame", as well as "Golden Years", his October single, and that it was offered to Elvis Presley to perform, but Presley declined it. ''Young Americans'' was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US. Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of ''Ziggy Stardust'' alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.

''Station to Station'' (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film ''The Man Who Fell to Earth'' the same year. Developing the funk and soul of ''Young Americans'', ''Station to Station'' also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.

''Station to Station''s January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in ''NME''. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in ''The Times'', "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–79: the Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, ''The Idiot'', and its follow-up, ''Lust for Life'', touring the UK, Europe, and the US in March and April 1977. ''Low'' (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, ''Low'' yielded the UK number three single "Sound and Vision", and its own performance surpassed that of ''Station to Station'' in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described ''Low'' as "a work of genius" in 1992, when he used it as the basis for his ''Symphony No. 1 "Low"''; subsequently, Glass used Bowie's next album as the basis for his 1996 ''Symphony No. 4 "Heroes"''. Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing ''Low''s minimalist, instrumental approach, the second of the trilogy, ''"Heroes"'' (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like ''Low'', ''"Heroes"'' evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show ''Marc'', and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing ''Low'' and ''"Heroes"'', Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album ''Stage'', released the same year.

The final piece in what Bowie called his "triptych", ''Lodger'' (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's ''Sergeant Pepper'' [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." ''Lodger'' reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–89: from superstar to megastar

''Scary Monsters (and Super Creeps)'' (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While ''Scary Monsters'' utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Robert Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in ''The Elephant Man''.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German film ''Christiane F.'', a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as ''Christiane F.'' a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play ''Baal''. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as ''David Bowie in Bertolt Brecht's Baal''. In March 1982, the month before Paul Schrader's film ''Cat People'' came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with ''Let's Dance''. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film ''From Here to Eternity''), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. ''Let's Dance'' was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular.

''Tonight'' (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of ''The Falcon and the Snowman''. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film ''Absolute Beginners''. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film ''Labyrinth'', for which he wrote five songs. His final solo album of the decade was 1987's ''Never Let Me Down'', where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting ''Never Let Me Down'', and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–91: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album ''Lust For Life''.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, ''Tin Machine'' (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. ''Tin Machine II''s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album ''Tin Machine Live: Oy Vey, Baby'' failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–99: electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced ''Black Tie White Noise''. Making prominent use of electronic instruments, the album, which reunited Bowie with ''Let's Dance'' producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on ''The Buddha of Suburbia'' (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in ''Black Tie White Noise'', and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial ''Outside'' (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, ''Earthling'' (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film ''Showgirls'' was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US ''Billboard'' Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for ''The Rugrats Movie''. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.

1999–present: Neoclassicist Bowie

Bowie created the soundtrack for ''Omikron'', a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album '''Hours...''' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album ''Toy'', intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album ''Heathen''. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of ''Heathen'', and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual ''Meltdown'' festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's ''Low'' era. ''Reality'' (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film ''Shrek 2''. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film ''Stealth''. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album ''Return to Cookie Mountain'', made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album ''No Balance Palace''.

Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, ''Anywhere I Lay My Head''. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. ''A Reality Tour'', a double album of live material from the 2003 concert tour, was released in January 2010.

In late March 2011, ''Toy'', Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for ''Heathen'' and most of its single B-sides, as well as unheard new versions of his early back catalogue.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production ''Pierrot in Turquoise'' (later made into the 1970 television film ''The Looking Glass Murders''). In the black-and-white short ''The Image'' (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel ''The Virgin Soldiers'' saw Bowie make a brief appearance as an extra. Bowie starred in ''The Hunger'' (1983), a revisionist vampire film, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, ''Merry Christmas, Mr. Lawrence'', based on Laurens van der Post's novel ''The Seed and the Sower'', Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Bowie had a cameo in ''Yellowbeard'', a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film ''Into the Night''. He declined to play the villain Max Zorin in the James Bond film ''A View to a Kill'' (1985).

''Absolute Beginners'' (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy ''Labyrinth'' found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film ''The Last Temptation of Christ''. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in ''The Linguini Incident'' (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's ''Twin Peaks: Fire Walk with Me'' (1992). He took a small but pivotal role as Andy Warhol in ''Basquiat'', artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's Spaghetti Western ''Il Mio West'' (1998, released as ''Gunslinger's Revenge'' in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's ''Everybody Loves Sunshine'' (1999), and appeared in the TV horror serial of ''The Hunger''. In ''Mr. Rice's Secret'' (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in ''Zoolander''.

Bowie portrayed physicist Nikola Tesla in the Christopher Nolan film, ''The Prestige'' (2006), which was about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated film ''Arthur and the Invisibles'' as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the ''SpongeBob's Atlantis SquarePantis'' television film. In the 2008 film ''August'', directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for ''The Man Who Fell to Earth''.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Michael Watts of ''Melody Maker'' in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust.

In a 1983 interview with ''Rolling Stone'', Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by ''Blender'' whether he still believed his public declaration was the biggest mistake he ever made, he replied: }}

Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women."

Musicianship

From the time of his earliest recordings in the 1960s, Bowie has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, ''David Bowie'' (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop.

Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historian Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, ... Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. ... The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996. Through perpetual reinvention, he has seen his influence continue to broaden and extend: music reviewer Brad Filicky writes that over the decades, "Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit", influencing fashion and pop culture to a degree "second only to Madonna". Biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film ''The Man Who Fell to Earth'', he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the United Kingdom, he has been awarded 9 Platinum, 11 Gold and 8 Silver albums, and in the United States, 5 Platinum and 7 Gold. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, ''Rolling Stone'' magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time. Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

''David Bowie'' (1967)

''Space Oddity'' (1969)

''The Man Who Sold the World'' (1970)

''Hunky Dory'' (1971)

''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972)

''Aladdin Sane'' (1973)

''Pin Ups'' (1973)

''Diamond Dogs'' (1974)

''Young Americans'' (1975)

''Station to Station'' (1976)

''Low'' (1977)

''"Heroes"'' (1977)

''Lodger'' (1979)

''Scary Monsters (and Super Creeps)'' (1980)

''Let's Dance'' (1983)

''Tonight'' (1984)

''Never Let Me Down'' (1987)

''Black Tie White Noise'' (1993)

''Outside'' (1995)

''Earthling'' (1997)

'''Hours...''' (1999)

''Heathen'' (2002)

''Reality'' (2003)

See also

Best selling music artists

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Notes

References

Further reading

Trynka Paul, ''Starman: David Bowie – The Definitive Biography'', Little, Brown Book Group Limited, 2011

Cann, David, ''Any Day Now: David Bowie the London Years 1947–1974'', Kenneth Pitt in Books, 2011

Jacke, Andreas, ''David Bowie – Station To Station'', Psychosozial- Verlag, 2011

Seabrook, Thomas Jerome, ''Bowie in Berlin: A New Career in a New Town'', Jawbone Press, 2008.

Spitz, Marc, ''Bowie: A Biography'', Crown Publishers, 2009.

Tremlett, George, ''David Bowie: Living on the Brink'', Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", ''The Aesthetics of Self-Invention: Oscar Wilde to David Bowie'', University of Minnesota Press, 2004.

Welch, Chris, ''David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song'', Da Capo Press, 1999.

Wilcken, Hugo, ''33⅓: David Bowie's'' Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Category:1947 births Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres Category:Decca Records artists Category:EMI Records artists Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT parents Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Singers from London Category:Virgin Records artists Category:Androgyny

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Jordan Roseman (aka DJ Earworm) is a San Francisco/London-based mashup artist who has achieved recognition for his technically sophisticated, songwriting oriented music and video mashups. His annual “United State of Pop” mashups, short mixes featuring the top 25 songs of the year according to Billboard magazine, have reached the Top 100 for national radio play.

Biography

Roseman was born into a big family of musicians and raised in eastern Iowa and Evanston, Illinois. In his early life, he played piano and produced original electronic music on a computer, later majoring in music theory and computer science at the University of Illinois. He began making mashups recreationally in 2003 using ACID. After encouragement from DJ Adrian at Club Bootie, Roseman created the moniker DJ Earworm ("earworm" referencing a song that repeats uncontrollably in one's mind) and began releasing mashups via a website.

DJ Earworm has a unique mashup style that consists of a compositional, songwriting approach. He gradually layers samples on top of one another, matching keys and subtly altering melodies. His mashups often convey an entirely new meaning than the original material, such as a political message in “No More Gas”. He has been contrasted with mashup artist Girl Talk, who has a more DJ-oriented style.

He is the author of ''Audio Mashup Construction Kit'' (Wiley, 2006), a how-to manual for creating mashups.

At the 2008 IDEA conference, he revealed that he has made mashups using Ableton Live₨, and now DJs live with the same software.

"United State of Pop" series

2007

Earworm's 2007 mashup, "United State of Pop” consisted of the top 25 songs of 2007 according to ''Billboard''. The song crossed beyond the online download market, reaching the Top 100 for national radio play in February 2008. Earworm is the first mashup artist to have a bootleg mashup enter Billboard’s charts. As of August 12, 2011, the song has surpassed 4.5 million views on YouTube, and it has peaked at number 71 on the CHR/Top 40 Mediabase radio chart.

Mix Includes:

"Irreplaceable"- Beyonce

" Umbrella"- Rihanna ft. Jay-z

"The Sweet Escape"- Gwen Stefani ft. Akon

"Big Girls Don't Cry"- Fergie

"Buy U a Drank (Shawty Snappin')"- T-Pain ft. Young Joc

"Before He Cheats"- Carrie Underwood

"Hey There Delilah"- Plain White T's

" I Wanna Love You"- Akon ft. Snoop Dogg

"Say It Right"- Nelly Furtado

" Glamorous"- Fergie ft. Ludacris

"Don't Matter"- Akon

" Girlfriend"- Avril Lavigne

"Makes Me Wonder"- Maroon 5

"Party Like a Rockstar"- Shop Boyz

"Smack That"- Akon ft. Eminem

"This Is Why I'm Hot"- Mims

" It's Not Over"- Daughtry

"The Way I Are"- Timbaland ft. Keri Hilson

"Fergalicious"- Fergie

"Crank That (Soulja Boy)*- Soulja Boy Tell 'Em

" Give It to Me"- Timbaland with Justin Timberlake and Nelly Furtado

"What Goes Around... Comes Around"- Justin Timberlake

"Cupid's Chokehold"- Gym Class Heroes ft. Patrick Stump

" How to Save a Life"- The Fray

" Home"- Daughtry

2008

On December 25, 2008 he released another mashup called "United State of Pop 2008 (Viva la Pop)", prominently featuring Coldplay's song "Viva la Vida" as the backing track, and an intro by Natasha Bedingfield's Pocketful of Sunshine beat. The official YouTube video of the song had 200,000 views within the first two weeks of release. The mashup peaked at number 58 on ''Billboard'''s Pop Airplay chart, and entered the Pop 100 chart. As of August 12, 2011, the video has received over 9.2 million views on YouTube, and it has peaked at number 81 on the CHR/Top 40 Mediabase radio chart.

Mix Includes:

" Low"- Flo Rida ft. T-Pain

"Bleeding Love"- Leona Lewis

" No One"- Alicia Keys

" Lollipop"- Lil Wayne ft. Static Major

" Apologize"- One Republic ft. Timbaland

"No Air"- Jordin Sparks & Chris Brown

" Love Song"- Sara Bareilles

"Love in This Club"- Usher ft.Young Jeezy

" With You"- Chris Brown

" Forever"- Chris Brown

"Sexy Can I"- Ray J ft. Young Berg

" Take a Bow"- Rihanna

"Viva La Vida"- Coldplay

"I Kissed a Girl"- Katy Perry

" Whatever You Like"-T.I.

"Disturbia"- Rihanna

" Don't Stop the Music"- Rihanna

" Pocketful of Sunshine"- Natasha Bedingfield

" Kiss Kiss"- Chris Brown ft. T-pain

" Closer"- Ne-Yo

"Bubbly"- Colbie Caillat

"Touch My Body"- Mariah Carey

" 4 Minutes "- Madonna ft. Justin Timberlake

" So What"- Pink

"Paralyzer"- Finger Eleven

2009

On December 27, 2009 he released a third year-end mashup, "United State of Pop 2009 (Blame it on the Pop)". The music video has reached over 38.5 million views as of August 17, 2011.

Mix Includes:

"Boom Boom Pow"- The Black Eyed Peas

" Poker Face"- Lady Gaga

"Just Dance"- Lady Gaga ft.Colby O'Donis

"I Gotta Feeling"- Black Eyed Peas

" Love Story"- Taylor Swift

"Right Round"- Flo Rida ft. Kesha

" I'm Yours"- Jason Mraz

"Single Ladies (Put a Ring on it)"- Beyonce

" Heartless"- Kanye West

"Gives You Hell"- All-American Rejects

"You Belong with Me"- Taylor Swift

"Dead and Gone"- T.I ft. Justin Timberlake

"You Found Me"- The Fray

"Use Somebody"- Kings of Leon

"Knock You Down"- Keri Hilson ft. Kanye West & Ne-Yo

"Blame It"- Jamie Foxx ft. T-Pain

"I Know You Want Me (Calle Ocho)"- Pitbull

"Live Your Life"- T.I ft. Rihanna

"Kiss Me Thru the Phone"- Soulja Boy Tell 'Em ft. Sammie

" Down"- Jay Sean ft. Lil Wayne

"The Climb"- Miley Cyrus

" Best I Ever Had"- Drake

"My Life Would Suck Without You"- Kelly Clarkson

" Halo"- Beyonce

"Hot n Cold"- Katy Perry

2010

On December 28, 2010 he released the fourth year-end mashup, "United State of Pop 2010 (Don't Stop the Pop) includes the top 25 singles of 2010. The music video has reached over 12.7 million views as of August 17, 2011.

Mix Includes:

"Tik Tok"- Kesha

"Need You Now"- Lady Antebellum

"Hey, Soul Sister"- Train

"California Gurls"- Katy Perry ft. Snoop Dogg

" OMG"-Usher ft. Will.I.Am

"Airplanes"-B.o.B ft. Hayley Williams

"Love the Way You Lie"- Eminem ft. Rihanna

"Bad Romance"-Lady Gaga

" Dynamite"- Taio Cruz

"Break Your Heart"- Taio Cruz ft. Ludacris

"Nothin' on You"- B.o.B ft. Bruno Mars

" I Like It"- Enrique Iglesias ft. Pitbull

"BedRock"-Young Money Entertainment ft. Lloyd

" In My Head"- Jason Derülo

"Rude Boy"- Rihanna

" Telephone"- Lady Gaga ft. Beyonce

"Teenage Dream"- Katy Perry

"Just The Way You Are"- Bruno Mars

"Cooler Than Me"- Mike Posner

"Imma Be"- The Black Eyed Peas

"Empire State of Mind"- Jay-Z ft. Alicia Keys

"DJ Got Us Fallin' in Love"- Usher ft. Pitbull

"Billionaire"- Travie McCoy ft. Bruno Mars

"Not Afraid"-Eminem

"Replay"- Iyaz

2011

The fifth year-end mashup is set to be released in December 2011.*The Billboard Hot 100 Chart contacted DJ Earworm early, due to his mashups coming out so late. They gave him the official top 25 songs of 2011:

" Rolling In The Deep"- Adele "Firework"- Katy Perry "Party Rock Anthem"- LMFAO ft. Lauren Bennett & GoodRock "Grenade"- Bruno Mars "E.T"-Katy Perry ft. Kanye West "Give Me Everything"-Pitbull ft. Ne-Yo & Nayer "Born This Way"- Lady Gaga "F**k You"-Cee Lo Green "F**king Perfect"- P!nk "S&M"- Rihanna "Raise Your Glass"- P!nk "Tonight(I'm Lovin'You)"- Enrique Iglesias ft. Ludacris "The Edge Of Glory"-Lady Gaga "Lighters"- Bad Meets Evil ft. Bruno Mars "What's My Name"- Rihanna ft. Drake "Just Can't Get Enough"- The Black Eyed Peas "Till The World Ends"- Britney Spears "Last Friday Night(T.G.I.F)"- Katy Perry "On The Floor"- Jennifer Lopez ft. Pitbull "Black & Yellow"- Wiz Khalifa "Super Bass"- Nicki Minaj "The Lazy Song"- Bruno Mars "We R Who We R"- Kesha "How To Love"- Lil Wayne "Only Girl(In The World)"- Rihanna

Official Mashups

While most mashup artists must rely on bootleg samples and public releases to make mashups, Earworm has been contacted by prominent musicians to make mashups from their source material. DJ Earworm was given multitracks by Annie Lennox to create a unique mashup piece called "Backwards/Forwards," which contains nine of her songs.

On September 12, 2009, Earworm released an official Sean Kingston mashup called "A Beautiful Mashup."

Like OMG, Baby

"Like OMG, Baby", released in the summer of 2010, was shown as part of a concert at Wembley Stadium in London for Capital FM's Summertime Ball, where all fifteen of the featured artists performed. The mashup is Earworm's fourth song to chart on the CHR/Top 40 ''Mediabase'' radio chart, where it peaked at number 83. As of August 8, 2011, the video has received 10.2 million views and counting on YouTube, making it by far his most popular non-United State of Pop mashup and surpassing the 2008 year-end video. In 2011 the song was honored with two Sony Radio Academy Awards. Here is the list of songs used: #Alexandra Burke - All Night Long #Cheryl Cole - Fight For This Love #Chipmunk feat. Esmee Denters - Until You Were Gone #Dizzee Rascal - Bonkers #Ellie Goulding - Starry Eyed #Jason Derulo - In My Head #JLS - One Shot #Justin Bieber - Baby #Ke$ha - Tik Tok #Pixie Lott - Mama Do (Uh Oh, Uh Oh) #Rihanna - Rude Boy #Scouting For Girls - This Ain't a Love Song #Tinie Tempah - Pass Out #Usher feat. Will.I.Am - OMG #The Wanted - All Time Low

Free At Night

On December 10, 2010, Earworm released a Nelly Furtado mashup titled "Free At Night", composed of 13 songs from Furtado's recent greatest hits album, The Best of Nelly Furtado. The music video has over 541,000 views as of August 8, 2011. Here is the list of songs used: #I'm Like a Bird #Turn Off the Light #Powerless (Say What You Want) #Try #Força #Promiscuous #Maneater #Say It Right #All Good Things (Come To An End) #Girlfriend in This City #Night Is Young #Stars #Manos al Aire

The Only Time is Tonight

To promote YouTube's Android app, Earworm released a mashup called "The Only Time is Tonight". The mashup heavily used Enrique Iglesias's "Tonight (I'm Lovin' You)" instrumental and vocals. It was released on May 31, 2011 on YouTube's official account. As of August 22, 2011, the video has reached over 1.5 million views. Here is the list of songs used: #Avril Lavigne - What the Hell #Black Eyed Peas - The Time (Dirty Bit) #Chris Brown - Yeah 3x #Enrique Iglesias - Tonight (I'm Lovin' You) #Kesha - We R Who We R #Rihanna - Only Girl (In the World) #Willow Smith - Whip My Hair

Party on the Floor

After 2010's "Like OMG, Baby", Earworm released the 2011 version. He released it on June 12, 2011. It is entitled, "Party On The Floor". As of August 23, 2011, the music video has reached over 3 million views. This mash up was used at the start of the Capital FM summertime ball 2011 at Wembley Stadium. Here are the songs used: #Jennifer Lopez feat. Pitbull - On the Floor #Jessie J - Do It Like A Dude #Jessie J feat. B.o.B.- Price Tag #LMFAO feat. Lauren Barrett & GoonRock - Party Rock Anthem #Nicole Scherzinger - Don't Hold Your Breath #Example - Changed the Way You Kiss Me #Mike Posner - Cooler Than Me #Ne-Yo - Beautiful Monster #The Wanted - Glad You Came #Far East Movement feat. The Cataracs & Dev - Like A G6 #JLS feat. Tinie Tempah - Eyes Wide Shut #JLS - Love You More #Katy B - Katy on a Mission #Katy B feat. Ms. Dynamite - Lights On #Cee-Lo Green - Forget You #Cee-Lo Green feat. Wiz Khalifa - Bright Lights, Bigger City #Enrique Iglesias feat. Pitbull - I Like It #Wretch 32 - Traktor #Mann - Buzzin'

References

External links

DJ Earworm Homepage

Category:American DJs Category:Living people

pt:DJ Earworm